The works in Enargeia were made over the past ten years, mostly in Umeå, but sometimes beyond – further North and further South in Sweden, as well as in London and the hills of Los Angeles.Some images, take me further back, to a collection of photographs by Paul Fusco of Robert F Kennedy’s Funeral Train, at the Photographer’s Gallery in London in 1999 and more recently to a shared anguish of collective grief, which since the beginning of 2018 with the Covid pandemic and the wars, appears unabated in its ruthlessness.
The works in Enargeia were made over the past ten years, mostly in Umeå, but sometimes beyond – further North and further South in Sweden, as well as in London and the hills of Los Angeles.Some images, take me further back, to a collection of photographs by Paul Fusco of Robert F Kennedy’s Funeral Train, at the Photographer’s Gallery in London in 1999 and more recently to a shared anguish of collective grief, which since the beginning of 2018 with the Covid pandemic and the wars, appears unabated in its ruthlessness.
The works in Enargeia were made over the past ten years, mostly in Umeå, but sometimes beyond – further North and further South in Sweden, as well as in London and the hills of Los Angeles.Some images, take me further back, to a collection of photographs by Paul Fusco of Robert F Kennedy’s Funeral Train, at the Photographer’s Gallery in London in 1999 and more recently to a shared anguish of collective grief, which since the beginning of 2018 with the Covid pandemic and the wars, appears unabated in its ruthlessness. Some images, take me further back, to a collection of photographs by Paul Fusco of Robert F Kennedy’s Funeral Train, at the Photographer’s Gallery in London in 1999 and more recently to a shared anguish of collective grief, which since the beginning of 2018 with the Covid pandemic and the wars, appears unabated in its ruthlessness.